Afternoon in Sedona is the debut release from flutist/multi-instrumentalist Nicholas Gunn, the hottest new name in contemporary instrumental music. With an album that is at once tribally powerful and inwardly serene, Gunn’s rich full sound takes us on an incredible global journey. Through his mastery of the flute, synthesizer and percussion and inspired by the environmental issues that challenge today’s world, Nicholas takes us to the great American southwest in a way that you will never forget.
Like a child's favorite toy or a warm summer’s stroll, unadorned, gentle guitar songs bring a comfort that nurtures the soul. Inspired by the nature of the Welsh national park where he lives and works as an ecologist, Mike Howe’s gorgeous first album offers 15 original compositions that will be a welcome pause in any day... A respite when time truly stands still.
Nominated 2009 “Best New Artist” by Zone Music Reporter.com.
Round River takes its name from Aldo Leopold’s metaphor for ecology of the mythical river that was not linear but circular, forever flowing around and back into itself. Welsh national park ecologist Mike Howe is inspired by the never-ending circle of nature to compose beautiful, heartfelt guitar melodies helping to foster a world in which the things that grow are love, spirituality, creativity, community, sustainable living and the healing of the Earth.
Round River has been nominated Best Instrumental Album - Acoustic by ZoneMusicReporter (formerly NewAgeReporter). It is also number four on Michael Debbage's Top 15 2010 Favorites and one of Kathy Parson’s Top 25 Favorites!
My desire with my compositions is to create soothing, melodic and catchy tunes that are presented simply, as an antidote to an oft-chaotic world filled with complexity. The guitar gives the melodies an acoustic clarity, allowing listeners to imagine themselves wherever they want to go, to their own personal Island of Anywhere. — Mike Howe
With orchestrations to match the majesty of the spectacular Olympic National Park, Mars Lasar's musical panoramas sweep across glacial valleys, through lyrical alpine meadows, and into the secret shaded worlds of the moss-draped Northwest rainforest. The music moves effortlessly from grand, inspired vistas to details of delicate beauty. It celebrates the area’s earliest Native American settlers and, earlier still, the primal forces that originally shaped this ice-hewn land. This is the finest album yet from Lasar, whose heroic melodies were used for the televised 1992 Olympic Games in Albertville, France.