Visionary new age music for nourishing and rejuvenating body, mind and spirit
Visionary new age music for nourishing and rejuvenating body, mind and spirit
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Danish composer and keyboardist / synthesist Henrik Hytteballe and his group band The Haiku Project can always be counted upon for a deep and meaningful musical experience. The follow up to the 2017 Haiku Project album Nebula, the early 2019 release of Life, is a fitting way to start off a new year.
California-based Real Music continues exploring the worldwide, generation spanning phenomenon of instrumental New Age electronic music with the 2015 CD release of Waves of Life by the artist known as Ashaneen. Ashaneen is actually the stage name of Polish composer Piotr Janeczek. Waves of Life features eleven tracks of instrumental New Age magic that clocks in at just under sixty four minutes.
The 2014 CD release on Real Music of Namasté Healing presents a cross section of classic New Age instrumental music. Ten different Real Music artists have a track a piece on the CD and the results are a seamless blend of timeless healing music, perfect for finding sonic tranquility in a frantic world. The CD features ten classic Real Music tracks that spans 1998 to 2014.
A CD certain to gain acclaim among fans of instrumental New Age music as well meditation / ambient / soundtrack albums is the 2014 Real Music CD release of Flow by the Danish artist known as Haiku. Essentially the creation of Danish electronic music synthesist Henrik Hytteballe, Flow is a masterpiece of transcendental synthesized sounds.
The premier New Age music record label in the world today, Real Music continues releasing music masterpieces on CD. Advocates for sonic works of art as opposed to mere music, Real Music has another winner on their hands with the Autumn 2013 release of Day Of Life from Bernward Koch. Drawing on the essence of classical inspired European romanticism, the 13 track, 61 minute CD features Bernward’s piano and synth keyboards merging together for a dreamlike, relaxing hour of music.
